{"id":1079,"date":"2025-06-21T13:39:07","date_gmt":"2025-06-21T11:39:07","guid":{"rendered":"https:\/\/romancouchard.be\/Roman_Couchard\/?page_id=1079"},"modified":"2025-06-21T13:49:11","modified_gmt":"2025-06-21T11:49:11","slug":"biography","status":"publish","type":"page","link":"https:\/\/romancouchard.be\/index.php\/en\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"\t\t
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Roman Couchard <\/strong><\/h3>

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Visual artist \u2013 Born in 1994 in Li\u00e8ge, Belgium<\/h4>

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Roman Couchard explores the memory of forgotten places through a practice rooted in engraving, material, and imprinting. His work draws on Belgian industrial heritage, particularly the abandoned ruins of the Li\u00e8ge region, which he reinterprets.<\/p>

At the heart of his approach: a tension between disappearance and presence. On plexiglass sheets\u2014an industrial material that has become a sensitive surface\u2014he prints the traces of erased buildings and collapsed landscapes. Each work becomes a silent cartography of what once was.<\/p>

His practice is part of a discreet ecology, far from the spectacular. By repurposing materials considered premature waste, he questions sustainability, material memory, and slow transformation. Here, the artistic gesture joins a broader commitment: to preserve, transmit, and resist erasure.<\/p>

Through his monumental engravings, Roman Couchard questions our relationship to time, history, and vestiges. His works confront us with our own vulnerability\u2014and with what, despite everything, persists.<\/p>

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Roman Couchard Visual artist \u2013 Born in 1994 in Li\u00e8ge, Belgium Roman Couchard explores the memory of forgotten places through a practice rooted in engraving, material, and imprinting. His work draws on Belgian industrial heritage, particularly the abandoned ruins of the Li\u00e8ge region, which he reinterprets. At the heart of his approach: a tension between… Biography<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_theme","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"class_list":["post-1079","page","type-page","status-publish","hentry"],"rttpg_featured_image_url":null,"rttpg_author":{"display_name":"admin","author_link":"https:\/\/romancouchard.be\/index.php\/author\/admin\/"},"rttpg_comment":0,"rttpg_category":" English<\/a>","rttpg_excerpt":"Roman Couchard Visual artist \u2013 Born in 1994 in Li\u00e8ge, Belgium Roman Couchard explores the memory of forgotten places through a practice rooted in engraving, material, and imprinting. His work draws on Belgian industrial heritage, particularly the abandoned ruins of the Li\u00e8ge region, which he reinterprets. At the heart of his approach: a tension between… Biography","_links":{"self":[{"href":"https:\/\/romancouchard.be\/index.php\/wp-json\/wp\/v2\/pages\/1079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/romancouchard.be\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/romancouchard.be\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/romancouchard.be\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/romancouchard.be\/index.php\/wp-json\/wp\/v2\/comments?post=1079"}],"version-history":[{"count":10,"href":"https:\/\/romancouchard.be\/index.php\/wp-json\/wp\/v2\/pages\/1079\/revisions"}],"predecessor-version":[{"id":1092,"href":"https:\/\/romancouchard.be\/index.php\/wp-json\/wp\/v2\/pages\/1079\/revisions\/1092"}],"wp:attachment":[{"href":"https:\/\/romancouchard.be\/index.php\/wp-json\/wp\/v2\/media?parent=1079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}